Bastard (Genesys album): Difference between revisions

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'''''Bastard''''' is the second studio album by Sierran rapper [[Genesys]]. It was released on 23 June 1995, by Genesys' newly-founded label, nuwrld, and Interscope. The album features production provided by H.E.S., MAC-12, Big Dolla, Doc Dre, C-Side, and Genesys himself, and also includes guest appearances from [[Roc Steady]], Zaa, Olu Dara, Morisse, and the hip-hop group The Throne, of which Genesys was a member. The album is expressed as a "raw, underground aesthetic", featuring mafioso rap themes and gritty multi-syllabic internal rhymes about narratives based on Genesys' experiences in the Redwood Projects of San Jose, [[Santa Clara]], the May 1993 drive-by shooting targeting him and his subsequent incarceration, and the pitfalls of capitalism.
'''''Bastard''''' is the second studio album by Sierran rapper [[Genesys]]. It was released on 23 June 1995, by Genesys' newly-founded label, Nuwrld, and Interscope. The album features production provided by H.E.S., MAC-12, Big Dolla, Doc Dre, C-Side, and Genesys himself, and also includes guest appearances from [[Roc Steady]], Zaa, Olu Dara, Morisse, and the hip-hop group The Throne, of which Genesys was a member. The album is expressed as a "raw, underground aesthetic", featuring mafioso rap themes and gritty multi-syllabic internal rhymes about narratives based on Genesys' experiences in the Redwood Projects of San Jose, [[Santa Clara]], the May 1993 drive-by shooting targeting him and his subsequent incarceration, and the pitfalls of capitalism.


''Bastard'' was supported by four singles: "{{W|Life's a Bitch (song)|Life's a Bitch}}" featuring Zaa and Olu Dara, "{{W|N.Y. State of Mind|L.A. State of Mind}}", "{{W|Survival of the Fittest (song)|Survival of the Fittest}}" featuring [[Roc Steady]], and "{{W|Triumph (song)|Triumph}}" featuring The Throne. The album debuted on number 1 on the ''Sunset'' 100 and number 1 on the Top R&B/Hip-Hop Albums chart, selling 322,000 units in its 1st week of release. The album received rave reviews from most music critics, who praised its production and Genesys' lyricism. Since its initial reception, ''Bastard'' has been recognized by writers and music critics as a landmark album in Styxie hip hop.
''Bastard'' was supported by four singles: "{{W|Life's a Bitch (song)|Life's a Bitch}}" featuring Zaa and Olu Dara, "{{W|N.Y. State of Mind|L.A. State of Mind}}", "{{W|Survival of the Fittest (song)|Survival of the Fittest}}" featuring [[Roc Steady]], and "{{W|Triumph (song)|Triumph}}" featuring The Throne. The album debuted on number 1 on the ''Sunset'' 100 and number 1 on the Top R&B/Hip-Hop Albums chart, selling 322,000 units in its 1st week of release. The album received rave reviews from most music critics, who praised its production and Genesys' lyricism. Since its initial reception, ''Bastard'' has been recognized by writers and music critics as a landmark album in Styxie hip hop.
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Recording for what would later become ''Bastard'' predominately took place at Dungeon in Porciúncula, Flashing Lights studios in [[Bernheim]], with the album's mixing and final production occurring at Bomber's Hall in [[San Francisco City]]. Genesys would initially record music over a four-day period in the Dungeon in November 1994 with producers Doc Dre and Big Dolla. While they had supposedly recorded over three hours of material, only one song from these sessions would make the final cut, being "Halftime". After performing at the 1994 Bernheim New Year's Eve Concert, Genesys would start recording in Bernheim in January 1995 after being inspired by the neighborhoods him and his entourage would drive by, reminding him of cities in San Jose. Initially scheduled for two-weeks, Genesys would travel to The Cave music venue to witness the nightly activity of rap battles that had become popularized a year prior. After being impressed by the numerous acts present, Genesys would form the rap group The Throne with rappers Zaa, Killer Woo, [[Roc Steady]], and MAC-12, along with producers H.E.S. and C-Side, signing them to Genesys' newly-formed record label under Interscope, nuwrld. With The Throne, Genesys would spend an additional two months recording in Bernheim, working on his solo album and what would later become The Throne's debut album, ''Truly Humbled Under God'' (1995), at the same time.  
Recording for what would later become ''Bastard'' predominately took place at Dungeon in Porciúncula, Flashing Lights studios in [[Bernheim]], with the album's mixing and final production occurring at Bomber's Hall in [[San Francisco City]]. Genesys would initially record music over a four-day period in the Dungeon in November 1994 with producers Doc Dre and Big Dolla. While they had supposedly recorded over three hours of material, only one song from these sessions would make the final cut, being "Halftime". After performing at the 1994 Bernheim New Year's Eve Concert, Genesys would start recording in Bernheim in January 1995 after being inspired by the neighborhoods him and his entourage would drive by, reminding him of cities in San Jose. Initially scheduled for two-weeks, Genesys would travel to The Cave music venue to witness the nightly activity of rap battles that had become popularized a year prior. After being impressed by the numerous acts present, Genesys would form the rap group The Throne with rappers Zaa, Killer Woo, [[Roc Steady]], and MAC-12, along with producers H.E.S. and C-Side, signing them to Genesys' newly-formed record label under Interscope, nuwrld. With The Throne, Genesys would spend an additional two months recording in Bernheim, working on his solo album and what would later become The Throne's debut album, ''Truly Humbled Under God'' (1995), at the same time.  


In an April 1995 interview with ''Music Box Magazine'', Genesys would confirm his solo album was being mixed at Bomber's Hall, and revealed the album's title. In 2002, Roc Steady revealed that he had suggested the album's title for him, revealing the album's original title as "Street Dreams" in reference to the album's first track. The album's cover shows a young Genesys and was originally taken in 1980.
In an April 1995 interview with ''Music Box Magazine'', Genesys would confirm his solo album was being mixed at Bomber's Hall, and revealed the album's title. In 2002, Roc Steady revealed that he had suggested the album's title for him, revealing the album's original title as "Street Dreams" in reference to the album's first track. The album's cover shows a young Genesys and was originally taken in the early 1970s.


==Reception==
==Reception==
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In 2002, ''La Brea Times'' reappraised the album and gave it a perfect rating, stating: "Genesys' thugged-out entertainment and The Throne's sonic production on cuts like the bone-chilling 'L.A. State of Mind'  ... proved to be timeless street joints in the same vein as 'Straight Outta Styxie'. The album was a staple for all hardheaded delinquents comin' up in the game." In 2004, ''Sierra Media'' critic Chris Ryan called it "one of the greatest rap albums of the [1990s]". ''La Brea Times'' gave it a classic rating in its retrospective December 2012 issue. In 2019, hip-hop journalist Carl Savage hailed ''Bastard'' as "an iconic Styxie record".  
In 2002, ''La Brea Times'' reappraised the album and gave it a perfect rating, stating: "Genesys' thugged-out entertainment and The Throne's sonic production on cuts like the bone-chilling 'L.A. State of Mind'  ... proved to be timeless street joints in the same vein as 'Straight Outta Styxie'. The album was a staple for all hardheaded delinquents comin' up in the game." In 2004, ''Sierra Media'' critic Chris Ryan called it "one of the greatest rap albums of the [1990s]". ''La Brea Times'' gave it a classic rating in its retrospective December 2012 issue. In 2019, hip-hop journalist Carl Savage hailed ''Bastard'' as "an iconic Styxie record".  
===Controversy===
===Controversy===
[[File:KRS-One 2002.jpg|250px|right|thumb|Numerous tracks on ''Bastard'' featured disses aimed at East coast rapper Rakeem Wallace (pictured).]]
[[File:KRS-One 2002.jpg|thumb|Numerous tracks on ''Bastard'' featured disses aimed at East coast rapper Rakeem Wallace (pictured).]]
Numerous tracks on ''Bastard'' feature subliminal disses aimed at Rakeem Wallace. The ninth track, "Soul Food", is the most forward with these disses, and has been lauded by critics as "the most hard-core Genesys has ever been." The ferocity of Genesys' raging vocals, as said by long-time collaborator and producer MAC-12, was entirely authentic. He later explained that Genesys was initially fueled by his anger against Wallace and Common Boy Records for the belief that they had a role in the May 1993 shooting targeting the rapper. He claimed that Wallace and his crew knew of his shooting and wanted him dead after a tense recording session and Wallace collaborating with Genesys' former group, A.N.D.. In response, Genesys used this fury, which long-time collaborator H.E.S. described as "superhuman", to attack Wallace and his former group, as well as proclaiming himself as the "King of New York". MAC-12 also stated that he had never seen Genesys so angry and that the words he rapped were in no way an act.
Numerous tracks on ''Bastard'' feature subliminal disses aimed at Rakeem Wallace. The ninth track, "Soul Food", is the most forward with these disses, and has been lauded by critics as "the most hard-core Genesys has ever been." The ferocity of Genesys' raging vocals, as said by long-time collaborator and producer MAC-12, was entirely authentic. He later explained that Genesys was initially fueled by his anger against Wallace and Common Boy Records for the belief that they had a role in the May 1993 shooting targeting the rapper. He claimed that Wallace and his crew knew of his shooting and wanted him dead after a tense recording session and Wallace collaborating with Genesys' former group, A.N.D.. In response, Genesys used this fury, which long-time collaborator H.E.S. described as "superhuman", to attack Wallace and his former group, as well as proclaiming himself as the "King of New York". MAC-12 also stated that he had never seen Genesys so angry and that the words he rapped were in no way an act.


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Additional subliminal disses on the record were noted to be against Godsun along with A.N.D., the Disciplez, Rakki, and B Monie.
Additional subliminal disses on the record were noted to be against Godsun along with A.N.D., the Disciplez, Rakki, and B Monie.
{{clear}}
==Track listing==
==Track listing==
{{Track listing
{{Track listing
Line 156: Line 157:
| extra8        = {{nowrap begin}} MAC-12{{·w}} H.E.S. {{nowrap end}}  
| extra8        = {{nowrap begin}} MAC-12{{·w}} H.E.S. {{nowrap end}}  
| length8      = 4:19
| length8      = 4:19
}}
{{Track listing
| all_writing    =
| collapsed      = no
| headline        = ''Bastard'' {{nobold| – 2020 Anniversary bonus disc}}
| writing_credits = yes
| lyrics_credits  =
| music_credits  =
| extra_column    = Producer(s)
| total_length    =
| title1        = Park Lane
| note1        =
| writer1      = {{nowrap begin}} Garner{{·w}} Darren Moss{{nowrap end}}
| extra1        = {{nowrap begin}} DJ Phonke {{nowrap end}}
| length1      = 4:16
| title2        = The Game
| note2        = featuring Zaa and MAC-12
| writer2      = {{nowrap begin}} Isaiah Garner{{·w}} Narra{{·w}} Matthews{{·w}} Denutit{{nowrap end}}
| extra2        = {{nowrap begin}} Genesys{{·w}} C-Side {{nowrap end}}
| length2      = 4:02
| title4        = {{w|I Gave You Power}}
| note4        =
| writer4      = {{nowrap begin}} Garner{{·w}} Denutit{{nowrap end}}
| extra4        = {{nowrap begin}} C-Side {{nowrap end}}
| length4      = 4:12
| title5        = Every Day Gun Play
| note5        =
| writer5      = {{nowrap begin}} Isaiah Garner{{·w}} Simons{{nowrap end}}
| extra5        = {{nowrap begin}} H.E.S. {{nowrap end}}
| length5      = 4:42
| title6        = {{W|Front Lines (Hell on Earth)|Hell on Earth}}
| note6        = featuring Roc Steady
| writer6      = {{nowrap begin}} Isaiah Garner{{·w}} Keyante{{·w}} Denutit{{nowrap end}}
| extra6        = {{nowrap begin}} C-Side {{nowrap end}}
| length6      = 3:55
| title3        = In the Long Run
| note3        = featuring Doc Dre and Immortal Keys
| writer3      = {{nowrap begin}} Isaiah Garner{{·w}} Blackwell II{{·w}} Jamal Ericson{{nowrap end}}
| extra3        = {{nowrap begin}} Doc Dre{{nowrap end}}
| length3      = 3:32
| title7        = L.A. State of Mind – Remix
| note7        = with The Throne
| writer7      = {{nowrap begin}} Garner{{·w}} Narra{{·w}} Warren{{·w}} Keyante{{·w}} Matthews{{·w}} Russel{{nowrap end}}
| extra7        = MAC-12
| length7      = 9:12
| title10        = Life's a Bitch
| note10        = Instrumental
| writer10      =
| extra10        = H.E.S.
| length10      = 4:36
| title8        = Survival of the Fittest
| note8        = Instrumental
| writer8      =
| extra8        = {{nowrap begin}} Genesys{{·w}} H.E.S.{{nowrap end}}
| length8      = 5:09
| title9        = L.A. State of Mind
| note9        = Instrumental
| writer9      =
| extra9        = {{nowrap begin}} MAC-12{{nowrap end}}
| length9      = 5:11
| title11        = Triumph
| note11        = Instrumental
| writer11      =
| extra11        = {{nowrap begin}} C-Side{{nowrap end}}
| length11      = 5:16
}}{{Track listing
| all_writing    =
| collapsed      = no
| headline        = ''Bastard'' {{nobold| – 2020 Anniversary DVD}}
| writing_credits = no
| lyrics_credits  =
| music_credits  =
| extra_column    =
| total_length    =
| title1        = Street Dreams
| note1        = live at Nimbus Park, Bernheim
| title2        = It Ain't Hard to Tell
| note2        = live at Nimbus Park, Bernheim
| title3        = Shook Ones
| note3        = live at Nimbus Park, Bernheim
| title4        = {{W|Hit It from the Back|Like Dat}}
| note4        = live at Nimbus Park, Bernheim
| title5        = Survival of the Fittest
| note5        = live at Nimbus Park, Bernheim
| title6        = Bitches Ain't Shit
| note6        = live at Nimbus Park, Bernheim
| title7        = Walk On By
| note7        = live at Nimbus Park, Bernheim
| title8        = Halftime
| note8        = live at Nimbus Park, Bernheim
| title9        = I Gave You Power
| note9        = live at Nimbus Park, Bernheim
| title10        = Life's a Bitch
| note10        = live at Nimbus Park, Bernheim
| title11        = L.A. State of Mind
| note11        = live at Nimbus Park, Bernheim
| title12        = Hail Mary
| note12        = live at Nimbus Park, Bernheim
| title13        = Wanted Dead or Alive
| note13        = live at Nimbus Park, Bernheim
| title14        = Respect Yourself
| note14        = live at Nimbus Park, Bernheim
| title15        = Triumph
| note15        = live at Nimbus Park, Bernheim
}}
}}
'''Notes'''
'''Notes'''