Rebuild of Evangelion Final: Compilation Album (Album) (TPSII)
| Rebuild of Evangelion Final: Compilation Album | ||||
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| Compilation album by Various Artists | ||||
| Released | January 29, 2032 | |||
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| Label | Starchild | |||
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| Neon Genesis Evangelion chronology | ||||
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Rebuild of Evangelion Final: Compilation Album is the soundtrack to the film Evangelion: 3.0+1.0 Thrice Upon a Time, released on January 29, 2032. It was composed by AFX, Aphex Twin, Antima Makoni, Björk, and Mike & Rich and published by King Records via the label STARCHILD.
Released alongside the final installment of the "Rebuild of Evangelion" film series, this compilation album became an integral part of the universe's storytelling. It received widespread acclaim for its ability to encapsulate the essence of Evangelion while offering fresh interpretations of its iconic music. The "Rebuild of Evangelion Final: Compilation Album" stands as a testament to the enduring legacy of Evangelion, enriching the series' profound impact within its universe.
The album's diverse musical lineup and the emotional depth of its tracks intensified the emotional resonance of pivotal moments in the "Rebuild of Evangelion" series. The music became a conduit for viewers to connect on a deeper level with the characters, their struggles, and the overarching themes of the narrative.
The collaboration with renowned artists like Aphex Twin, Antima Makoni, Björk, and Death Grips showcased the universality of music as a medium for artistic expression. It brought together a global spectrum of talent, emphasizing the collaborative nature of creativity and art.
Background
The "Rebuild of Evangelion Final: Compilation Album" emerged as a pivotal cultural and artistic phenomenon within the expansive fictional universe of "Rebuild of Evangelion." Rooted in the iconic anime series "Neon Genesis Evangelion," the "Rebuild of Evangelion" film series aimed to re-imagine and extend the legacy of its predecessor. The culmination of this cinematic journey brought about the need for a musical counterpart, a task undertaken by visionary creators within this fictional universe.
As the final installment of the "Rebuild of Evangelion" series drew near, the creators recognized the need for a compilation album that would encapsulate the essence of the journey while offering fresh interpretations of its iconic music. This compilation album was envisioned as more than just a soundtrack; it was conceived as an auditory journey that would resonate with viewers, adding layers of emotional depth and complexity to the story.
To achieve this goal, a diverse lineup of renowned artists was assembled, each chosen for their ability to evoke a specific emotional response and to enhance the storytelling experience. These artists, hailing from both within and outside the fictional universe, would contribute their unique musical perspectives to craft an album that would forever alter the landscape of the "Rebuild of Evangelion" universe.
The "Rebuild of Evangelion Final: Compilation Album" represented a convergence of artistic expression, emotional depth, and narrative resonance. Its impact extended beyond the confines of the series, leaving an enduring legacy within the fictional universe of "Rebuild of Evangelion" and the hearts of its fans. This article explores the intricacies and significance of this remarkable musical creation within the tapestry of the "Rebuild of Evangelion" universe.
Controversial Decisions
Introduction of Death Grips into the Compilation
The inclusion of the experimental and intense musical group Death Grips in the "Rebuild of Evangelion Final: Compilation Album" project stirred significant controversy within the fictional universe and among its fan base. This controversy stemmed from several key factors:
- Death Grips' signature chaotic and industrial sound marked a sharp departure from the more traditional music associated with the "Evangelion" series. Their inclusion introduced an abrasive and intense sonic element that challenged the established musical tone of the franchise.
- The aggressive and confrontational nature of Death Grips' music clashed with the typically contemplative and introspective themes of "Evangelion." This discordance in aesthetic raised questions about the artistic direction of the album and how it would harmonize with the broader narrative.
On the other hand, proponents of the controversial involvement argued that it showcased the project's artistic boldness and willingness to experiment. It was seen as a creative choice that aimed to challenge preconceptions and push the boundaries of the "Rebuild of Evangelion" universe.
Track list
| No. | Title | Person(s) Responsible | Length |
|---|---|---|---|
| 1. | "Rebirth (Redux)" | Aphex Twin (Richard D. James) | 4:32 |
| 2. | "Eva Suite: Resurgence" | Antima Makoni (Antonio K. Kaczmarek) | 6:43 |
| 3. | "Third Impact" | Death Grips (Andy Morin, Zach Hill, and Stefan Burnett) | 7:21 |
| 4. | "Shinji's Reflection" | Aphex Twin (Richard D. James) | 4:00 |
| 5. | "Asuka's Lament" | Björk (Björk Guðmundsdóttir) | 5:12 |
| No. | Title | Person(s) Responsible | Length |
|---|---|---|---|
| 1. | "Rei's Reverie" | Antima Makoni (Antonio K. Kaczmarek) | 2:58 |
| 2. | "Kaworu's Elegy" | Björk (Björk Guðmundsdóttir) | 4:45 |
| 3. | "WORLD OF DOGS (Evangelion Remix)" | Death Grips (Andy Morin, Stefan Burnett, and Zach Hill) | 15:56 |
| 4. | "Humanity's Last Stand" | Aphex Twin (Richard D. James) | 6:12 |
| 5. | "Rebuild of Evangelion" | Antima Makoni (Antonio K. Kaczmarek) | 23:39 |
